Workflow is better, as are compositional tools, plug-in management and operation and mixing. The software feels slicker, faster and more professional, fully deserving of the new Pro name. VST Connect SE3, the online collaboration system, is also bundled and much better integrated into Cubase itself, meaning recording audio and MIDI over the internet is quicker and easier than before.Ĭubase 8 feels like a really significant update, and covers a lot of ground in what it improves and adds. On the instrument side there’s Groove Agent SE 4 Acoustic Agent, Allen Morgan’s Rock Pop construction kits, and all the other existing tools such as Retrologue, Padshop, HALion Sonic SE2 and LoopMash 2. VST Bass Amp delivers a collection of new amps, cabs and stompboxes, and there are new versions of the de-esser, multiband compressor, tuner, multiband expander and envelope shaper plug-ins. Plug-in Power The bundled content has been expanded and version 8 sees the return of Quadrafuzz, a now much more comprehensive four-band distortion unit with delay for dirtying up your tracks. The plug-in manager in Cubase 8 has been improved too and now lets you create your own custom lists, which makes searching and loading even quicker than before. It’s switchable between musical styles and between piano and guitar chords and it’s a genuinely useful tool, beautifully implemented with Steinberg’s excellent design skills.Ī new MIDI tempo detection engine can help analyse a part that hasn’t been played to a click and adjust the project’s grid to it, letting you add drums afterwards without rigidly quantizing your original part. They’re fully configurable for scale, note, inversion and so on, and a clever Chord Assistant shows you related chords to help you compose. Increasingly popular as a concept, these let you use the mouse or any input device to play and record chords onto a MIDI track. MIDI has seen new developments too with a feature called Chord Pads. Usefully, not only can you specify what FX and other settings to include but there’s an option to preserve event boundaries so you don’t always end up with one long audio file. In the Project window, a new Render In-Place option lets you bounce audio and MIDI internally, so no more bouncing out and re-importing. The channel strip EQ has been improved to show precise visual feedback as you drag the mouse, and the new Virgin Territories automation feature means no more writing of default values between automation points, so you’re free to use the space between automation events for other adjustments. Direct Routing enables you to set up group routing destinations for multiple channels, busses and stems at the same time and also export multiple versions of a project using the batch export window to save time. MixConsole also gets a new Wave Meters view that shows you song position on every channel as scrolling audio waveforms so you don’t have to keep looking at the Project window. This new feature is one of those that makes you wonder how you managed without it, and for people who mix things such as live drums it’s worth the upgrade price alone. Since there’s no extra audio routing using groups or busses, things stay simple, and automating VCA faders now controls all channels assigned to them as well. This section is resizeable, as is the border between the track list and main project area. It’ll definitely make searching, loading and tweaking instruments easier. The virtual instrument section is great, giving you access to all the major parameters related to an instrument from a concise panel, including auto mapping to the Quick Controls in many cases. This is nice because it means these windows don’t have to float, although they are still available separately if you prefer. Contrast and legibility have been improved, and it feels like some of the icons are clearer in their function as well.Ĭubase has taken the first steps towards embracing a more one-window design with a new virtual instrument and MediaBay rack which can live on the right-hand side of the project window. Cubase 7.5 didn’t feel particularly like it needed much tweaking in this respect, but after using 8 you realise that it wasn’t perfect. Good Housekeeping The GUI has been cleaned up and refined as well. This is partly thanks to ASIO Guard 2, a technology that prioritises live input tracks over simple playback ones to get better performance without constantly messing with buffer settings. It’s slick and snappy, and ASIO performance, and thus latency, has been greatly improved.
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